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Immediately we said “send the song” and it was a great song. He phoned the studio we were working in and Nicky took the call and he just said he had this fantastic singer that he was working with and it was Mario Winans. That’s part of the reason you gave the sampling rights to Diddy for “I Don’t Wanna Know,” he approached you in such a polite way. I’m not closed about people sampling the music, far from it, there’s a lot of my music that’s been sampled, but I just feel it’s right to approach the artist. There are a lot of songs that I’ve been happy for them to sample because you’re right, it is introducing the music to another generation, but it also sounds good. If an artist is going to sample a piece of music, then you get to hear it, that’s what’s important to me. But in that regard, you just have to make sure you go through the right process. I do agree musically that if they compliment each other, that’s what happens. I would never have listened to The Gap Band or Funkadelic without Snoop. Snoop Dogg drew me into the whole genre of funk as well as soul through use of samples. I believe that by sampling, they’re giving music a new lease on life. By all means… if you want to sample a piece, but come forward, let’s hear the song and if we’re happy to go ahead we will absolutely approve. So myself, Nicky and Roma felt it was very important to stand up in that regard to how we felt about sampling. It was a case of, I wasn’t featured at all on the credits and it was very much a part of the song. At the beginning, with The Fugees, we were actually on the verge of suing them because of the copyright infringement, because they just didn’t approach us. We had to, in some way feel a link between what the song was about and the original song that we had written. It has to be something of a melody by a singer that we really sort of enjoy the version of whatever they’ve sampled. Firstly, they’d be listening out for anything that’s obscene. So they would get all of these requests in and they would listen.
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I work with Nicky and Roma, they’re really part of the team that have been there from the beginning. It’s still very much the same on sampling. I’m interested to hear your thoughts on sampling and if they’ve changed over the years. He walked up and spoke to me and said, “I finally get to meet Enya,” and I’m talking to Paul McCartney from The Beatles! It was just a wonderful moment. We were performing together, at that year, our songs. I suppose the ultimate was Paul McCartney at the Oscars. Who else has surprised you by being a fan? If we talk about what’s happening now with “Boadicea,” it has a great influence musically for a lot of people as did songs from some of my other albums and I feel that to me, personally, that’s a great compliment. I was told that, um yes, to me it’s a great compliment to be inspirational to other artists. Nicki Minaj said her latest album The Pinkprint was influenced by you. I also partly understood the magnetism some feel Enya’s voice does have a certain hold. Also on the cards was Nicki Minaj and Paul McCartney being fans, her favorite material purchase and turning down composing for Titanic.
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Enya told the stories behind Diddy and The Fugees sampling “Boadicea,” a track that 30 years later remains popular with producers. The interview was a bit like a phone call with my mom, who was very excited about our chat, by the way. Brennan was sweet, friendly and had a sense of humor. To the disappointment of Enya-hive, she didn’t remind me of a human wind chime. Our conversation left me inspired by how Enya dedicated her life to creating and refused to let fame taint any part of it. Along with producer Nicky Ryan and his wife Roma as lyricist, the threesome has controlled every element of her career since 1982. As an act, Enya actually operates as a trio, and they’ve never collaborated with outsiders. Born one of nine children, Enya Patricia Brennan spent her rural Irish upbringing learning music and plays the majority of instruments on her albums.
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However, the further I dug, the more intriguing she seemed. When asked to speak with Enya, my initial instinct was that her music wasn’t my style.